The Top 10 Movies of 2008

I considered devoting a detailed post to the recent Oscars telecast, but there’s really no point; while I’m more than happy to convey my esteemed thoughts on movies, TV shows, and other forms of populist entertainment, I can’t quite motivate myself to write about an awards ceremony. In terms of my predictions, I correctly hit 14 of 21 categories for a score of 67% – not terrible, but certainly not good, especially in a year with an established frontrunner. Most of my upset picks in the technical categories proved to be more idiotic than sneaky; I won’t beat myself up over the Sound categories or Departures winning for Foreign Language Film, but going with The Curious Case of Benjamin Button over Slumdog Millionaire for Original Score was just wishful thinking, and I missed on both big 50-50 areas (Actor and Original Screenplay). Poor form.

(On the plus side, multiple people informed me that the Manifesto helped guide them to strong finishes in their respective Oscar pools. I’m happy to provide assistance, but they obviously must have made some shrewd adjustments to a few of my more dubious selections. In my own pool with weighted scoring, I finished seventh out of 12 and lost to my sister by one fucking point. Seriously poor form.) Read More

Oscars Analysis 2008: Best Picture

NOMINEES

The Curious Case of Benjamin Button

Frost/Nixon

Milk

The Reader

Slumdog Millionaire

WILL WIN

Twenty categories later, we’ve finally arrived at the big prize, and the suspense is … er, is there any suspense? Like, at all? At this point, I feel like the 2008 Best Picture race is more of a sure thing than the Iraqi election in 2002, when Saddam Hussein won 100% of the vote because no other candidates were allowed on the ballot. As such, the question isn’t “Which movie is going to win Best Picture?” but “Is there any challenger with a shot in hell of defeating Slumdog Millionaire?”. Read More

Oscars Analysis 2008: Best Director

NOMINEES

Danny Boyle – Slumdog Millionaire

Stephen Daldry – The Reader

David Fincher – The Curious Case of Benjamin Button

Ron Howard – Frost/Nixon

Gus Van Sant – Milk

WILL WIN

One of the more nebulous categories at the Oscars – ask the question “So, what does a director actually do?” to 10 different voters, and you’ll probably get at least eight different answers – is also one of the more intriguing. I like the Best Director race not on its own terms but because it provides insight into the Best Picture race. Unlike most races that are determined by tallying votes – political elections, MVP voting, etc. – we never learn the precise tabulation of votes cast for the Oscars. On the surface, it’s impossible to tell whether American Beauty earned a greater margin of victory in winning Best Picture in 1999 than Gladiator did a year later. Read More

Oscars Analysis 2008: Best Actor

NOMINEES

Richard Jenkins – The Visitor

Frank Langella – Frost/Nixon

Sean Penn – Milk

Brad Pitt – The Curious Case of Benjamin Button

Mickey Rourke – The Wrestler

WILL WIN

Of the eight major Oscar categories, I think the Best Actor race is the hardest to predict this year (perhaps along with Best Original Screenplay). That isn’t to say my prophecies in the remaining categories are foolproof; the Academy has shown time and again that there’s no such thing as a lock at the Oscars (guh, Brokeback Mountain), and last year’s show featured winners in big races that ranged from legitimately surprising (Marion Cotillard) to “That fucker came out of nowhere!” (Tilda Swinton). But there’s usually at least enough data floating around out there for me to feel comfortable with my selection. This category, not so much. Read More

Oscars Analysis 2008: Best Actress

NOMINEES

Anne Hathaway – Rachel Getting Married

Angelina Jolie – Changeling

Melissa Leo – Frozen River

Meryl Streep – Doubt

Kate Winslet – The Reader

WILL WIN

I don’t see either Angelina Jolie or Melissa Leo contending here – Changeling doesn’t have seem to have much steam overall, and I’m wagering that the majority of voters haven’t even seen Frozen River. So we’re left with a trio of candidates: Anne Hathaway as the troubled, lacerating drug addict in Rachel Getting Married, Meryl Streep as the no-nonsense nun in Doubt, and Kate Winslet as … well, I can’t really supply any adjectives to define her role, because doing so would give away multiple plot twists, but she has a German accent and gets naked. Read More