Best Original Song

It’s March 2023, so it must be time to wrap up our coverage of 2022. The Oscars are on Sunday, so per annual tradition, we’ll be spending this week analyzing all of the feature categories. (Sorry, short subjects, maybe next year.) Today, we’re looking at seven different fields that are, shall we say, low-profile.

Get your pools ready! (Do people do Oscar pools?)

BEST ANIMATED FEATURE

NOMINEES
Guillermo del Toro’s Pinocchio
Marcel the Shell with Shoes On
Puss in Boots: The Last Wish
The Sea Beast
Turning Red

WILL WIN
The general rule here is just to pick Pixar. But for whatever reason (perhaps its lack of a theatrical release?), Turning Red never developed the sort of momentum that most of the studio’s releases easily accumulate. In fact, only two of these movies received a meaningful run in theaters, and only Puss in Boots: The Last Wish actually generated a significant sum of money. That might have meant something a few years ago, but the stigma which once attached to streaming services has slowly eroded. Instead, the likely winner is Pinocchio, which somehow shrugged off the weirdness of being the second such adaptation of the year—three months before it aired on Netflix, Robert Zemeckis’ version landed on Disney+ with a thud—and became a critical smash thanks to its stop-motion artistry. Read More

Welcome to Oscars week! Over the next five days, we’ll be running through all 20 feature categories in contention at this year’s ceremony—not to be confused with all of the awards that will actually be presented during the ceremony. Sharper and more knowledgeable critics than I have already and justifiably skewered the Academy for its laughable decision to announce the winners of eight different categories before the show proper and then somehow “edit” them into the telecast. Now, it’s possible to acknowledge that not all 23 categories (20 features, plus three shorts) possess an equivalent degree of luster; hell, I imply as much every year by titling this opening piece “odds and ends” before moving on to “the big techies” (which include film editing, original score, and production design… all of which won’t be presented live this year). But it’s foolish to pretend that this bizarre, fanboy-chasing maneuver—which is presumably designed to save time, though there are rumblings that the Academy will replace the missing minutes with, I dunno, more montages about the magic of movies, all while still limiting the telecast to three hours, we promise—will somehow attract potential viewers who were otherwise on the fence.

This makes no sense. If you don’t care about the Oscars, the prospect of not seeing the award for Best Makeup and Hairstyling presented live will not suddenly make you want to watch the Oscars. If you do care about the Oscars—if you annually follow cinema’s most prestigious, pretentious gala, and if you recognize the Academy’s value as a recordkeeping institution while still lamenting its general unwillingness to be truly adventurous—then the marginalization of a handful of categories (and of the hard-working artisans deprived of their chance to hear their name read aloud by a gorgeous celebrity) represents a pointless, self-flagellating smack. To quote a certain crime lord who made his share of disastrous decisions: It accomplishes nothing. Read More

It’s mid-April, and this year’s Oscars still haven’t been held yet, which raises two questions: What is time, and what is Time? I’m not a capable enough philosopher to answer the first, but I can tell you that the second is one of the five nominees for this year’s Best Documentary Feature award. And so, even with the COVID-19 pandemic wreaking havoc on the cinematic landscape and the Academy’s schedule, it’s (ahem) time for everyone’s favorite time (oh come on) of year: our annual Oscar predictions.

You know how this works. Over the next week, I’ll be filing a series of pieces that briskly walk through each of the 21 20 feature categories (sorry, short subjects, I care for thee not), with predictions, preferences, and assorted thoughts. Does any of this matter? That’s up to you. The Oscars are a gaudy ceremony of self-congratulation, often better remembered for what they got wrong than right. They’re also significant as a marker of history, and they tend to honor some pretty good movies. There are more important things in the world, and more important things to complain about, too.

Today, we’re running through seven categories that are rather less high-profile than other races. But if you want to win your office pool (do people do office pools for the Oscars? Do people still work in offices?), this is where you can separate yourself.

BEST ANIMATED FEATURE

NOMINEES
Onward
Over the Moon
A Shaun the Sheep Movie: Farmageddon
Soul
Wolfwalkers Read More