Oscars 2015, Prediction Results: The Revenant Leads the Way

"The Revenant" led the way with 12 Oscar nominations, including one for Leonardo DiCaprio

My modest goal in predicting this year’s Oscar nominations was to exceed my success rate from last year, when I hit on 80% (55 of 69). Well, things really changed this time around, when I connected on… 80%. (Between the variable number of Best Picture nominees and the category ambiguity with Alicia Vikander, there’s some fuzzy math involved, but you’ll just have to take my word for it.) I can’t decide if this means I’m impressively consistent or consistently mediocre.

In any event, there’s plenty to unpack following yesterday’s announcement. Let’s take a quick category-by-category scan through the lineup and see where things stand. Read More

Oscars 2014: Nomination Prediction Results (with bonus analysis!)

David Oyelowo in Selma

As I frantically scrolled through the list of Oscar nominations this morning, I realized something odd: For the most part, I didn’t really care who was nominated. Sure, I preferred some candidates to others, and as a matter of quasi-professional pride, I wanted to perform well in my predictions. (For the record, I went 55-for-69, good for a solid but unremarkable 80%.) But as I started scanning the collective of this year’s Academy Award representatives, I realized that only one scenario would break my heart: if Whiplash failed to receive a Best Picture nomination. Beyond that, my casual rooting interest seemed disproportionate to the level of obsession I place on analyzing the Oscars in the first place.

Still, one omission from yesterday’s announcement infuriated me, and it came in one of the few categories I didn’t even bother to predict. I’ve had an uneasy relationship with the Best Animated Feature category for some time, though I’ve gradually, grudgingly acknowledged its utility (highlighting the merits of a number of movies that would other be ignored as “kiddie fare”), even as I remain wary of its larger implications (marginalizing those same movies by roping them off into their own special category, a form of cinematic discrimination). But my general antipathy toward the category couldn’t prevent my eyes from bulging in disbelief as I read the five contenders that will comprise this year’s field. Not among them: The LEGO Movie.

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