And here we are. Our coverage of all 20 feature categories at this year’s Oscars wraps up today with the top two awards, one of which is virtually assured and one of which very much isn’t.
BEST DIRECTOR
NOMINEES
Paul Thomas Anderson—Licorice Pizza
Kenneth Branagh—Belfast
Jane Campion—The Power of the Dog
Ryûsuke Hamaguchi—Drive My Car
Steven Spielberg—West Side Story Read More
Let’s keep the suspense going! Even if the supporting actor races are fairly boring at this point, that isn’t true of the screenplays, and there’s also legitimate uncertainty in one of the lead races. The excitement is so contagious, it’s spreading across categories!
BEST ACTOR
NOMINEES
Javier Bardem—Being the Ricardos
Benedict Cumberbatch—The Power of the Dog
Andrew Garfield—Tick Tick Boom
Will Smith—King Richard
Denzel Washington—The Tragedy of Macbeth Read More
Hey, you wanted intrigue at the Oscars? How about not one but two screenplay races where the winner remains legitimately uncertain? Let’s get to it.
BEST ORIGINAL SCREENPLAY
NOMINEES
Belfast—Kenneth Branagh
Don’t Look Up—Adam McKay
King Richard—Zach Baylin
Licorice Pizza—Paul Thomas Anderson
The Worst Person in the World—Joachim Trier and Eskil Vogt Read More
There are quite a few competitive races at this year’s Oscars, including several in categories we’ve previously analyzed. They do not include the races for the supporting actors, which are virtually written in stone at this point. But who cares? After all, the whole point of this annual exercise isn’t to predict the winners but to officially log my own choices so that years from now, I can issue boastful statements like, “Sure, you all like Anya Taylor-Joy now that she’s earned her third Oscar nomination of the 2020s, but how many of you put her on your ballot in 2018 for Thoroughbreds??”
BEST SUPPORTING ACTRESS
NOMINEES
Jessie Buckley—The Lost Daughter
Ariana DeBose—West Side Story
Judi Dench—Belfast
Kirsten Dunst—The Power of the Dog
Aunjanue Ellis—King Richard Read More
Quick trivia question: Which movie received the second-most nominations at this year’s Oscars (following The Power of the Dog’s twelve)? It wasn’t the emerging Best Picture threat CODA, or the technical marvel West Side Story, or the big-hearted crowd-pleaser Belfast. It was Dune, Denis Villeneuve’s mammoth sci-fi adventure about spice, dreams, and colonialism. In addition to raking in cash (its $108 million domestic haul far surpassed any other Best Picture contender), Dune racked up 10 total Oscar nods, with the Academy clearly admiring its bold visual style and maximalist craft. It’s an impressive showing that recalls Alfonso Cuarón’s Gravity, which also scored 10 nominations in 2013 and won a whopping seven trophies (the third-most of any movie this century, behind The Lord of the Rings: The Return of the King and Slumdog Millionaire), though it failed to win the big prize, falling to 12 Years a Slave.
Dune isn’t winning Best Picture either, but could it match Gravity’s overall tally? In yesterday’s piece, I analyzed eight miscellaneous categories, and while Dune is nominated in three of those, I’m predicting it to fare poorly (winning Sound, but losing both Costume Design and Makeup/Hairstyling). Thus, to keep pace with Cuarón’s smash hit, Dune virtually needs to sweep the following five fields, each of which encompasses a high-profile area of technical filmmaking (and which I’ve historically dubbed The Big Techies). What are its chances? Let’s find out. Read More