Best Adapted Screenplay

Almost done! Thus far in our weeklong run-up to the Oscars, we’ve looked at the lead actors, their supporting counterparts, the big techies, and the little ones. This morning, we’re analyzing the screenplays before we return this afternoon for a look at the big prizes.

Let’s start with the weaker of the two categories:

BEST ADAPTED SCREENPLAY

NOMINEES
Borat Subsequent Moviefilm—Sacha Baron Cohen et al.
The Father—Christopher Hampton and Florian Zeller
Nomadland—Chloé Zhao
One Night in Miami—Kemp Powers
The White Tiger—Ramin Bahrani Read More

Almost there! We’ve already posted four different pieces on this year’s Oscars, looking at odds and ends, techies, supporting actors, and leads. Now, we’ll take a quick skim through the screenplay categories, before wrapping up with Best Director and Best Picture later today.

BEST ORIGINAL SCREENPLAY

NOMINEES
Knives Out—Rian Johnson
Marriage Story—Noah Baumbach
1917—Sam Mendes and Krysty Wilson-Cairns
Once Upon a Time in Hollywood—Quentin Tarantino
Parasite—Bong Joon-ho and Han Jin-won Read More

Thus far in our walkthrough of the Oscars, we’ve looked at some miscellaneous technical categories and some higher-profile technical fields. Now we’re getting to the good stuff, beginning with the screenplays.

BEST ADAPTED SCREENPLAY

NOMINEES
The Ballad of Buster Scruggs—Joel Coen and Ethan Coen
BlacKkKlansman—Charlie Wachtel, David Rabinowitz, Kevin Willmott, and Spike Lee
Can You Ever Forgive Me?—Nicole Holofcener and Jeff Whitty
If Beale Street Could Talk—Barry Jenkins
A Star Is Born—Eric Roth, Bradley Cooper, and Will Fetters Read More